The Two Reviews: The Mule and Velvet Buzzsaw

The Mule (2018, Imperative Entertainment, Bron Creative and Malpaso Productions) Directed by Clint Eastwood. Based on 'The Sinaloa Cartel's 90-Year-Old Drug Mule' by Sam Dolnick. Featuring Clint Eastwood, Bradley Cooper, Laurence Fishburne, Michael Peña, Dianne Wiest and Andy García. Directed by, produced by and starring Clint Eastwood, The Mule is a crime drama/thriller in which … Continue reading The Two Reviews: The Mule and Velvet Buzzsaw

The Two Reviews: Green Book (2018 Peter Farrelly)

Green Book (2018, Participant Media, DreamWorks, Innisfree and Cinetic Media) Directed by Peter Farrelly. Featuring Viggo Mortensen, Mahershala Ali and Linda Cardellini. Review 1 by Annabelle Davis Green Book follows the story of African-American jazz pianist Don Shirley (played by Ali) and his driver-come-bodyguard Tony Vallelonga (Mortensen), set in the early 1960s. Tony is a classic … Continue reading The Two Reviews: Green Book (2018 Peter Farrelly)

Rule 263: Shia LaBeouf Must Never Be Allowed To Partake In Any Film That Is Good

There are certain rules known only to a select few by which it is possible to predict the quality of movies. The origin of these rules is often obscure and difficult to explain. One rule which appeared sometime in the last two decades or so is Rule 263: Shia LaBeouf must never be allowed to … Continue reading Rule 263: Shia LaBeouf Must Never Be Allowed To Partake In Any Film That Is Good

The Two Reviews: The Children Act and Vice

The Children Act (2018, FilmNation Entertainment and BBC Films) Directed by Richard Eyre. Featuring Emma Thompson, Stanley Tucci, Fionn Whitehead and Ben Chaplin. Based on a novel by Ian McEwan. This English-set drama follows the traumatic life choices surrounding religious objections to blood transfusions by Jehovah Witnesses. Seventeen year-old Adam (Whitehead) is dying and only … Continue reading The Two Reviews: The Children Act and Vice

Momentary Cinema’s Review of the Year 2018 in Film – Part 2

In overview for the year, the worst films I watched were burdensome with clichés or else just outright tasteless, while the best films I watched had qualities that were original, quirky and heartfelt. Many of these more favoured films tapped into current global concerns (e.g. the shit-fight of ideologies in the US; relations between the … Continue reading Momentary Cinema’s Review of the Year 2018 in Film – Part 2

Forty Years of Terror: Halloween (1978) vs Halloween (2018)

I have always been a fan of the slasher-horror genre. The raw and chilling, but sometimes passionate, horror that provides a continuous thrill of the chase in which you never know whether the predator or prey will win. Some slasher movies can be almost comedic but Halloween from 1978 is a quintessential horror classic that … Continue reading Forty Years of Terror: Halloween (1978) vs Halloween (2018)