The Emerald Isle has offered a lot to the world (submarines, Samuel Beckett, decent stout, Clonakilty black pudding etc.) but if you were to look at Hollywood films over the years, it would seem that all we have been good for are things like potatoes, leprechauns, excessive drinking and terrorists. Begorrah and bejaysus, a soft … Continue reading Hollywood Fieldtrips to Ireland: The Good, the Bad and the Uafásach*
‘…a horror flick with over-tones of the Gothic, surreal and a touch of chaotic ludicrousness …’ Aronofsky’s Mother! is on the surface a film about the worst house guests in history, and as such is shot as a horror flick with over-tones of the Gothic, surreal and a touch of chaotic ludicrousness. But this film … Continue reading The Two Reviews: Mother! (2017 Darren Aronofsky)
Blade Runner (1982) didn’t need a sequel. A previous post on this very blog was dedicated to that subject. However, if you absolutely positively have to have a sequel for a film which doesn’t require one, then pray to the movie gods that the sequel is as good as Blade Runner 2049. After all, Alien … Continue reading The Future’s So Bright, I Gotta Wear 3D Glasses – Blade Runner 2049 Review
“…reducing the film and its central narrative to esoteric wankiness…” For many cinema goers, expectations for this greatly anticipated sequel to Blade Runner were high. Then again, I am one of those who never believed it was going to match the original. And it doesn’t. But it is not a complete write-off either. The cinema-photography … Continue reading The Two Reviews: Blade Runner 2049 (2017 Denis Villeneuve)
This is the first in a series of posts on the filmmaking of Alfred Hitchcock (1899-1980), one of the greatest directors of all time. These posts will be authored by Robin Stevens, JJ McDermott and Alan Matthews, and the idea is for each part to take a selection of Hitchcock’s films and analyze them in … Continue reading Exploring Hitchcock Part 1: A Deeper Look at Rebecca, Rear Window and The Birds
Momentary Cinema 