And we wanna get loaded and we wanna have a good time Dialogue from Roger Corman’s 1960s counterculture classic The Wild Angels was an interesting choice for the opening of Primal Scream’s ‘Loaded’, a seminal indie-dance anthem released in February 1990, but it did resonate with the moment – a new decade, a new direction, … Continue reading Travelling Through Time: The Best Films of the 1990s
The Dig (2021, Netflix) Featuring Carey Mulligan, Ralph Fiennes, Lily James, Ben Chaplin and Johnny Flynn. Screenplay by Moira Buffini. Based on ‘The Dig’ by John Preston. Directed by Simon Stone. There is a certain formula to British historical dramas that make me a bit queasy. It may be the stuffiness of the characters, the … Continue reading The Two Reviews: The Dig and Ammonite
Can’t Get You Out of My Head: An Emotional History of the Modern World (BBC)Written and directed by Adam CurtisAvailable on YouTube Just to be clear, this documentary seemingly has nothing to do with Kylie’s 2001 hit ‘Can't Get You Out of My Head’ despite sharing the title. You could find a connection somewhere in … Continue reading The One Review: Can’t Get You Out of My Head (2021 Adam Curtis)
There are so many incredible examples of cinematography from around the world. So much so that it can be very difficult to settle on a particular moment or place in cinema history for an appropriate inclusion to this great series that Robin has devised. But I thought it relevant to go back to when cinematography … Continue reading Cinematography of the World, Part 2: Jack Cardiff in 1940s Britain
Time for a driving movie. From low budget to big budget via Tina Turner, there is the glory that is the Mad Max films. But not today. Let us assume that for a moment the cartoon crassness of The Fast and the Furious franchise is not welcome. You could refer back to a whole blog … Continue reading Saturday Afternoon Movies, Part 5 – Hell Drivers (1957 Cy Endfield)
Absolutely everything! Well, when they are done well that is. One fresh example is They Shall Not Grow Old, Peter Jackson’s recent, extraordinary and awe-inspiring documentary presenting World War I footage. Painstakingly restored with colour and realistic sounds added, this film is composed entirely of archival footage from the British National Museum and a soundtrack … Continue reading War Films, What Are They Good For?
The Children Act (2018, FilmNation Entertainment and BBC Films) Directed by Richard Eyre. Featuring Emma Thompson, Stanley Tucci, Fionn Whitehead and Ben Chaplin. Based on a novel by Ian McEwan. This English-set drama follows the traumatic life choices surrounding religious objections to blood transfusions by Jehovah Witnesses. Seventeen year-old Adam (Whitehead) is dying and only … Continue reading The Two Reviews: The Children Act and Vice
On Chesil Beach (2018, Number 9 Films, BBC Films & Lionsgate) Directed by Dominic Cooke, based on a novel by Ian McEwan, featuring Saoirse Ronan, Billy Howle, Emily Watson, Ann-Marie Duff and Samuel West. The film On Chesil Beach is a romantic drama based on the short novel of the same name by Ian McEwan. It is … Continue reading The Two Reviews: On Chesil Beach and BlacKkKlansman
‘…a rather lackluster way to end the trilogy…’ This is the third installment of Coogan and Brydon’s sojourn of comic impersonations, while sampling culinary delights and generally driving about. The first was set in Northern England, the second along the coast of Italy and now the third in Spain. This is the least interesting of … Continue reading The Two Reviews: The Trip to Spain (2017 Michael Winterbottom)
‘…full historical disclosure be damned…’ The mastermind behind Memento and those latter day Batman movies, Christopher Nolan, takes on his first significant British-centred film (it’s his country of birth after all) and there is an inescapable tinge, or should I say cringe, of Union Jack waving at work here – very inappropriate timing one must … Continue reading The Three Reviews: Dunkirk (2017 Christopher Nolan)
Momentary Cinema 