Time for a driving movie. From low budget to big budget via Tina Turner, there is the glory that is the Mad Max films. But not today. Let us assume that for a moment the cartoon crassness of The Fast and the Furious franchise is not welcome. You could refer back to a whole blog … Continue reading Saturday Afternoon Movies, Part 5 – Hell Drivers (1957 Cy Endfield)
Absolutely everything! Well, when they are done well that is. One fresh example is They Shall Not Grow Old, Peter Jackson’s recent, extraordinary and awe-inspiring documentary presenting World War I footage. Painstakingly restored with colour and realistic sounds added, this film is composed entirely of archival footage from the British National Museum and a soundtrack … Continue reading War Films, What Are They Good For?
The Children Act (2018, FilmNation Entertainment and BBC Films) Directed by Richard Eyre. Featuring Emma Thompson, Stanley Tucci, Fionn Whitehead and Ben Chaplin. Based on a novel by Ian McEwan. This English-set drama follows the traumatic life choices surrounding religious objections to blood transfusions by Jehovah Witnesses. Seventeen year-old Adam (Whitehead) is dying and only … Continue reading The Two Reviews: The Children Act and Vice
On Chesil Beach (2018, Number 9 Films, BBC Films & Lionsgate) Directed by Dominic Cooke, based on a novel by Ian McEwan, featuring Saoirse Ronan, Billy Howle, Emily Watson, Ann-Marie Duff and Samuel West. The film On Chesil Beach is a romantic drama based on the short novel of the same name by Ian McEwan. It is … Continue reading The Two Reviews: On Chesil Beach and BlacKkKlansman
‘…a rather lackluster way to end the trilogy…’ This is the third installment of Coogan and Brydon’s sojourn of comic impersonations, while sampling culinary delights and generally driving about. The first was set in Northern England, the second along the coast of Italy and now the third in Spain. This is the least interesting of … Continue reading The Two Reviews: The Trip to Spain (2017 Michael Winterbottom)
‘…full historical disclosure be damned…’ The mastermind behind Memento and those latter day Batman movies, Christopher Nolan, takes on his first significant British-centred film (it’s his country of birth after all) and there is an inescapable tinge, or should I say cringe, of Union Jack waving at work here – very inappropriate timing one must … Continue reading The Three Reviews: Dunkirk (2017 Christopher Nolan)