It is a quiet, rainy Saturday afternoon. You’ve got the house to yourself for the first time in ages. You don't have the energy for mayhem and chaos. You’re just going to stay in and watch a movie. But what movie? What are you in the mood for? And is your mood likely to change? … Continue reading Saturday Afternoon Movies, Part 1 – Firefox (1982 Clint Eastwood)
The Mule (2018, Imperative Entertainment, Bron Creative and Malpaso Productions) Directed by Clint Eastwood. Based on 'The Sinaloa Cartel's 90-Year-Old Drug Mule' by Sam Dolnick. Featuring Clint Eastwood, Bradley Cooper, Laurence Fishburne, Michael Peña, Dianne Wiest and Andy García. Directed by, produced by and starring Clint Eastwood, The Mule is a crime drama/thriller in which … Continue reading The Two Reviews: The Mule and Velvet Buzzsaw
Prologue – A Man With No Name This is the story of a story. Not the whole story of course just the highlights. The greatest stories are timeless. They crop up again and again. Christopher Booker, in his 2004 book, described seven basic plots. Leo Tolstoy thought that there were only two: a man goes … Continue reading Akira Kurosawa meets The Man With No Name
There are certain rules, known only to a select few, by which it is possible to predict the quality of movies. The origin of these rules is often obscure and difficult to explain. One of the oldest rules is Rule 9: All Our Greatest Heroes Arrive Fully Formed. In fact this rule is so old … Continue reading Rule 9: All Our Greatest Heroes Arrive Fully Formed
Below you will find two reviews: one of The Beguiled from 2017, directed by Sofia Coppola, and another of The Beguiled from 1971, directed by Don Siegel. Both are contrasting adaptations of the 1966 novel of the same name by Thomas P. Cullinan (it was originally released under the title ‘A Painted Devil’). The Beguiled (2017, … Continue reading Adaptations Part 3: A Painted Devil Twice Imagined as The Beguiled
The Woodstock Festival in the summer of 1969, as many will attest to, marked a landmark in the American post-war social consciousness. Michael Wadleigh’s award winning documentary Woodstock (1970) brilliantly captured the infamous concert in its entirety, not only showcasing the creative musical talent that marked the decade prior but also informing us of a … Continue reading The American Road Movie: Driving Away From the 1960s Counterculture
‘The Golden Age of Television’ is certainly upon us and one may only subscribe to Netflix, or wherever, these days to witness this. There is a startling depth of choice when it comes to new TV shows from around the world, and within this depth, one may also observe the growing trend for TV shows … Continue reading The Sun Always Shines on TV Part 2 (by JJ McDermott)
