Review Special: 2019 CinefestOz Film Festival, Western Australia

I was very privileged to have experienced the CinefestOZ Film Festival down in the beautiful Margaret River region in South West Australia recently. It is a neatly-styled, homegrown festival with a community feel and a strong focus on Indigenous film-making. It mainly showcases Australian films, but with a tinge of international influence from the likes … Continue reading Review Special: 2019 CinefestOz Film Festival, Western Australia

The Two Reviews: Top End Wedding and Red Joan

Top End Wedding (2019, Universal Pictures) Directed by Wayne Blair. Featuring Miranda Tapsell, Gwilym Lee, Kerry Fox, Huw Higginson & Ursula Yovich. This Australian comedy is a delight. It has a mostly Indigenous cast and crew, including writers and director, and proudly displays a uniquely Indigenous good-humour as well as personal journeys into staying true … Continue reading The Two Reviews: Top End Wedding and Red Joan

The European Masterpieces Part 4: Closely Watched Trains (1966 Jiří Menzel)

Background In 1993, Czechoslovakia dissolved into two independent states: Czech Republic (made up of the Bohemia and Moravia regions) and Slovakia. The 20th Century up until that point had been a turbulent time for the former country. After World War I, it gained independence from the Austro-Hungarian Empire and grew into a socially and economically … Continue reading The European Masterpieces Part 4: Closely Watched Trains (1966 Jiří Menzel)

Review Special: The 2019 French Film Festival of Australia – Advanced screening of The Sisters Brothers

The 2019 French Film Festival of Australia is in its 30th year now. It is the largest film festival dedicated to French cinema in the world and is presented by the Alliance Française of Australia. The festival will screen French films across many Luna Palace Cinemas in Perth from mid-March to mid-April, as well as … Continue reading Review Special: The 2019 French Film Festival of Australia – Advanced screening of The Sisters Brothers

Rule 263: Shia LaBeouf Must Never Be Allowed To Partake In Any Film That Is Good

There are certain rules known only to a select few by which it is possible to predict the quality of movies. The origin of these rules is often obscure and difficult to explain. One rule which appeared sometime in the last two decades or so is Rule 263: Shia LaBeouf must never be allowed to … Continue reading Rule 263: Shia LaBeouf Must Never Be Allowed To Partake In Any Film That Is Good