Over time, the Western films of Hollywood expanded outwards. Many were made in Europe by Italian and Spanish directors (Spaghetti Westerns). Some were adaptations of Japanese Samurai films (The Magnificent Seven). Some were set in Mexico and required drugs to understand (El Topo). Even Communist Eastern Europeans were fond of making their own Westerns that … Continue reading The Western Story – Part 2: Beyond the Frontier
Americans like to think Western movies are about their history, and they therefore cherish them greatly. But the Western was in fact an early construct of dramatic motion pictures. Edwin S. Porter directed a short film in 1903 called The Great Train Robbery. This was a milestone in film making because it established action on … Continue reading The Western Story – Part 1: Into the West
There are still some numpties in the world who presume that the reason why so few women direct films is because they are not that good at it. Doesn’t really justify a response but…holding back the urge to slap these people in the face, one may instead point towards the remarkable filmography of Kelly Reichardt. … Continue reading Kelly Reichardt: A Filmmaker of This Time
There has always been an appetite for provocative subject matter in movies. Whether that comes principally from the will of the audience or the will of the creator is a matter of debate. When I say provocative subject matter, I mean anything that intentionally veers from the mainstream path and entices the viewer into challenging … Continue reading Midnight Movies, Part 1 – The Acid Adventures of El Topo
Okay so you have some time to kill and you don’t what to waste your time watching crap on TV. By the same token you’re knackered after work or whatever and you can’t be bothered with some arthouse horseshit where you’ll spend a week wondering if you understood the subtext or even worse… a documentary … Continue reading Saturday Afternoon Movies, Part 2 – Outland (1981 Peter Hyams)
Us (2019, Monkeypaw Productions and Blumhouse Productions) Written and directed by Jordan Peele. Music by Michael Abels. Featuring Lupita Nyong'o, Winston Duke, Elisabeth Moss, Shahadi Wright Joseph, Evan Alex, and Tim Heidecker. The brilliant Jordan Peele returns to the director’s chair with another horror film. This time about a family holidaying in Santa Cruz, California … Continue reading The Two Reviews: Us and The Ballad of Buster Scruggs
The 2019 French Film Festival of Australia is in its 30th year now. It is the largest film festival dedicated to French cinema in the world and is presented by the Alliance Française of Australia. The festival will screen French films across many Luna Palace Cinemas in Perth from mid-March to mid-April, as well as … Continue reading Review Special: The 2019 French Film Festival of Australia – Advanced screening of The Sisters Brothers
Prologue – A Man With No Name This is the story of a story. Not the whole story of course just the highlights. The greatest stories are timeless. They crop up again and again. Christopher Booker, in his 2004 book, described seven basic plots. Leo Tolstoy thought that there were only two: a man goes … Continue reading Akira Kurosawa meets The Man With No Name
Sweet Country Directed by Warwick Thornton. Featuring Hamilton Morris, Bryan Brown and Sam Neill "...the scenery of the central Australian outback is not only overwhelmingly beautiful, it is scintillating..." Prior to the ironic use of Johnny Cash’s song 'Peace in the Valley' on the closing credits, the Christian preacher Fred Smith (played by Sam Neill) … Continue reading The Two Reviews: Sweet Country (2018 Warwick Thornton)
The Shootist (1976) begins like so many other westerns: the main character, a mysterious lone figure emerging from the wilderness, reluctantly on his way into civilisation. In this case the wilderness is the snow-covered mountains and foothills outside of Carson City and the lone figure, wrapped and hunched against the cold, is John Bernard Books. … Continue reading “The most celebrated shootist extant” – John Wayne and The Shootist
