There are certain rules, known only to a select few, by which it is possible to predict the quality of movies. The origin of these rules is often obscure and difficult to explain. One of the oldest rules is Rule 9: All Our Greatest Heroes Arrive Fully Formed. In fact this rule is so old … Continue reading Rule 9: All Our Greatest Heroes Arrive Fully Formed
The Movie Franchise: Alien The Game: Alien: Isolation (2014) Not content with the beating it took at the hands of the Predator franchise, the Alien franchise is being gradually kicked to death by prequels which undermine the best qualities of the originals while bolting on elements of bigger and better sci-fi like 2001 A Space … Continue reading Digital Reign: When the computers out-cinema the cinema
Australiana, noun - items relating to or characteristic of Australia. As the Australian film critic Luke Buckmaster pointed out recently, the madly popular 1980s blockbuster Crocodile Dundee not only gave the world a less than flattering impression of Australians, it was also racist, sexist and homophobic. As fun as it may have seemed when I … Continue reading A Slice of Australiana in Five Films
This is the third and last in a series of posts on the filmmaking of Alfred Hitchcock (1899-1980): one of the greatest directors of all time. These posts are authored by Robin Stevens, JJ McDermott and Alan Matthews, and the idea is for each part to take a selection of Hitchcock’s films and analyze them … Continue reading Exploring Hitchcock Part 3: Don’t read this! – Vertigo and Psycho
This is the second in a series of posts on the filmmaking of Alfred Hitchcock (1899-1980): one of the greatest directors of all time. These posts are authored by Robin Stevens, JJ McDermott and Alan Matthews, and the idea is for each part to take a selection of Hitchcock’s films and analyze them in detail. … Continue reading Exploring Hitchcock Part 2: The Early Masterpieces and his (not so) Grand Finale
The Shootist (1976) begins like so many other westerns: the main character, a mysterious lone figure emerging from the wilderness, reluctantly on his way into civilisation. In this case the wilderness is the snow-covered mountains and foothills outside of Carson City and the lone figure, wrapped and hunched against the cold, is John Bernard Books. … Continue reading “The most celebrated shootist extant” – John Wayne and The Shootist
The Emerald Isle has offered a lot to the world (submarines, Samuel Beckett, decent stout, Clonakilty black pudding etc.) but if you were to look at Hollywood films over the years, it would seem that all we have been good for are things like potatoes, leprechauns, excessive drinking and terrorists. Begorrah and bejaysus, a soft … Continue reading Hollywood Fieldtrips to Ireland: The Good, the Bad and the Uafásach*
Blade Runner (1982) didn’t need a sequel. A previous post on this very blog was dedicated to that subject. However, if you absolutely positively have to have a sequel for a film which doesn’t require one, then pray to the movie gods that the sequel is as good as Blade Runner 2049. After all, Alien … Continue reading The Future’s So Bright, I Gotta Wear 3D Glasses – Blade Runner 2049 Review
“…reducing the film and its central narrative to esoteric wankiness…” For many cinema goers, expectations for this greatly anticipated sequel to Blade Runner were high. Then again, I am one of those who never believed it was going to match the original. And it doesn’t. But it is not a complete write-off either. The cinema-photography … Continue reading The Two Reviews: Blade Runner 2049 (2017 Denis Villeneuve)
This is the first in a series of posts on the filmmaking of Alfred Hitchcock (1899-1980), one of the greatest directors of all time. These posts will be authored by Robin Stevens, JJ McDermott and Alan Matthews, and the idea is for each part to take a selection of Hitchcock’s films and analyze them in … Continue reading Exploring Hitchcock Part 1: A Deeper Look at Rebecca, Rear Window and The Birds
Momentary Cinema 