This is a short excursion into the film careers of four extraordinary female actors of early cinema. All four women set new standards in dramatic performance, all came to fame as outstanding beauties of their time, and yet all brushed away vanity to portray diverse roles, impaired personalities and to smash down stereotypes. Lillian Gish … Continue reading Four Icons of Early Cinema – Part 2: Lillian Gish
Many filmmakers have made their name by making stylised documentaries - Micheal Moore, Werner Herzog, Adam Curtis, Amy Berg, Joshua Oppenheimer, Nick Broomfield, Alex Gibney and Errol Morris are all big names that come to mind. Indeed, style derives from the individuals and can often take away from the content of their documentaries. But I … Continue reading The Focus of Film: 8 Documentaries with a Cause
Over time, the Western films of Hollywood expanded outwards. Many were made in Europe by Italian and Spanish directors (Spaghetti Westerns). Some were adaptations of Japanese Samurai films (The Magnificent Seven). Some were set in Mexico and required drugs to understand (El Topo). Even Communist Eastern Europeans were fond of making their own Westerns that … Continue reading The Western Story – Part 2: Beyond the Frontier
This is a short excursion into the film careers of four extraordinary female actors of early cinema. All four women set new standards in dramatic performance, all came to fame as outstanding beauties of their time, and yet all brushed away vanity to portray diverse roles, impaired personalities and to smash down stereotypes. Asta Nielsen … Continue reading Four Icons of Early Cinema – Part 1: Asta Nielsen
Americans like to think Western movies are about their history, and they therefore cherish them greatly. But the Western was in fact an early construct of dramatic motion pictures. Edwin S. Porter directed a short film in 1903 called The Great Train Robbery. This was a milestone in film making because it established action on … Continue reading The Western Story – Part 1: Into the West
Middling films of the year There were three particular movies from three acclaimed and barrier-breaking directors that I believe could have done more than they did this year. Alfonso Cuaron’s Roma was beautiful, affecting and imbued with symbolism, but it lacked the magic of some of his earlier stuff. The Favourite by Yorgos Lanthimos was … Continue reading Review of the Year 2019 in Film
There are still some numpties in the world who presume that the reason why so few women direct films is because they are not that good at it. Doesn’t really justify a response but…holding back the urge to slap these people in the face, one may instead point towards the remarkable filmography of Kelly Reichardt. … Continue reading Kelly Reichardt: A Filmmaker of This Time
Time for a driving movie. From low budget to big budget via Tina Turner, there is the glory that is the Mad Max films. But not today. Let us assume that for a moment the cartoon crassness of The Fast and the Furious franchise is not welcome. You could refer back to a whole blog … Continue reading Saturday Afternoon Movies, Part 5 – Hell Drivers (1957 Cy Endfield)
Absolutely everything! Well, when they are done well that is. One fresh example is They Shall Not Grow Old, Peter Jackson’s recent, extraordinary and awe-inspiring documentary presenting World War I footage. Painstakingly restored with colour and realistic sounds added, this film is composed entirely of archival footage from the British National Museum and a soundtrack … Continue reading War Films, What Are They Good For?
Tobol (Тобол), The Conquest of Siberia (2019, KinoFilm Corp) Directed by Igor Zaitsev. Featuring Andrey Burkovskiy, Erkebulan Dairov, Evgeniy Dyatlov Aleksandr Lazarev, Dmitriy Dyuzhev, Yekaterina Guseva, Agata Muceniece and Ilya Malanin, . Tobol, also known as The Conquest of Siberia in some British and American releases, is loosely based on historical events, when under Peter … Continue reading The One Review: Tobol, The Conquest of Siberia (2019 Igor Zaitsev)
Momentary Cinema 