The best horrors seem to imitate the fragile, visceral quality of your worst nightmares, some of which were spawned in your youth; transcending reality and making us feel like no other genre does. And ‘the scary place’ plays into that fear brilliantly. Film Critic Mark Kermode The place that Kermode refers to here can come … Continue reading Horror in Store, Part 2: The Art of Terror
Okay so you have some time to kill and you don’t what to waste your time watching crap on TV. By the same token you’re knackered after work or whatever and you can’t be bothered with some arthouse horseshit where you’ll spend a week wondering if you understood the subtext or even worse… a documentary … Continue reading Saturday Afternoon Movies, Part 2 – Outland (1981 Peter Hyams)
Michael Fassbender (born in Germany, raised in Kerry, Ireland, trained in England) is one of my favorite modern actors not only for his good looks and charm but because of the incredible diversity of his acting talent. Fassbender has played a range of roles in all sorts of genres ranging from comedy through to drama. … Continue reading Michael Fassbender Special Part One: Alien: Covenant – Two Fassbenders for the Price of One
The Movie Franchise: Alien The Game: Alien: Isolation (2014) Not content with the beating it took at the hands of the Predator franchise, the Alien franchise is being gradually kicked to death by prequels which undermine the best qualities of the originals while bolting on elements of bigger and better sci-fi like 2001 A Space … Continue reading Digital Reign: When the computers out-cinema the cinema
There are certain rules known only to a select few by which it is possible to predict the quality of movies. The origin of these rules is often obscure and difficult to explain. One, which has entered common thought, is Rule 21: "The 'Director’s Cut' is always the best version of the movie, except when … Continue reading Rule 21: The ‘Director’s Cut’ is Always the Best Version of the Movie, Except When it isn’t
*Please Note: depending on where the reviewer watched them, some of these films were only subject to release in 2017 despite having premiered at film festivals in 2016. Reviews by JJ McDermott Paterson (2016, directed by Jim Jarmusch, starring Adam Driver and Golshifteh Farahani) A delightfully unexceptional film typical of Jarmusch's minimalist autuership. Set in … Continue reading JJ, Robin and Alan’s Round-up of the Year in Film…So Far
Momentary Cinema 