‘…a horror flick with over-tones of the Gothic, surreal and a touch of chaotic ludicrousness …’ Aronofsky’s Mother! is on the surface a film about the worst house guests in history, and as such is shot as a horror flick with over-tones of the Gothic, surreal and a touch of chaotic ludicrousness. But this film … Continue reading The Two Reviews: Mother! (2017 Darren Aronofsky)
This is the first in a series of posts on the filmmaking of Alfred Hitchcock (1899-1980), one of the greatest directors of all time. These posts will be authored by Robin Stevens, JJ McDermott and Alan Matthews, and the idea is for each part to take a selection of Hitchcock’s films and analyze them in … Continue reading Exploring Hitchcock Part 1: A Deeper Look at Rebecca, Rear Window and The Birds
And when he had opened the fourth seal, I heard the voice of the fourth beast say, come and see! And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him John 6. 7-8 (New Testament) Recent events in the US have put the … Continue reading Nazism and the impact of World War II as depicted on Film
Maudie (2016) Directed by Aisling Walsh, starring Sally Hawkins and Ethan Hawke Maudie is a small-budget Irish/Canadian film based on the life of Nova Scotia painter Maud Lewis (played by Sally Hawkins), and her long but volatile relationship with the illiterate, ill-at-ease and often belligerent Everett Lewis (Ethan Hawke). The film begins with Maud as … Continue reading The Two Reviews: Maudie and It
The Woodstock Festival in the summer of 1969, as many will attest to, marked a landmark in the American post-war social consciousness. Michael Wadleigh’s award winning documentary Woodstock (1970) brilliantly captured the infamous concert in its entirety, not only showcasing the creative musical talent that marked the decade prior but also informing us of a … Continue reading The American Road Movie: Driving Away From the 1960s Counterculture
Charlie Chaplin once stated that A Place in the Sun (1951) was ‘the greatest film ever made about America’. Nominated for nine Academy Awards, it won six of them along with numerous other awards and accolades. Produced and directed by George Stevens, and starring Montgomery Clift, Elizabeth Taylor and Shelley Winters, it is one of … Continue reading Shades of Light and Dark in A Place in the Sun
In 2003 a swords and cannon, swash-buckling epic was released into the cinema. Pirates of the Caribbean: The Curse of the Black Pearl made the pirate movie popular again in a way that it hadn’t been since Errol Flynn in Captain Blood (1935) and The Sea Hawk (1940). Pirates of the Caribbean owed at least … Continue reading Lost in the Fog: Master and Commander: The Far Side of the World
*Please Note: depending on where the reviewer watched them, some of these films were only subject to release in 2017 despite having premiered at film festivals in 2016. Reviews by JJ McDermott Paterson (2016, directed by Jim Jarmusch, starring Adam Driver and Golshifteh Farahani) A delightfully unexceptional film typical of Jarmusch's minimalist autuership. Set in … Continue reading JJ, Robin and Alan’s Round-up of the Year in Film…So Far
Many of you will obviously have differing opinions on this list but please be mindful it is not meant to be definitive. It is just a snapshot of my own favourite composed film scores from memory (non-original soundtracks excluded). Please share a few comments of your own favorites below if you so wish. In the … Continue reading The Settling of Scores: 7 of the Greatest Musical Compositions in Film
Paris in the twenties, it can offer plenty, To a young man with a vision, so they say. With a friend named, Fitzgerald, I was headed for the old world, On a merchant steamer bound for Biscay Bay. From Mickey Newbury's 'Heaven Help the Child' (1973) I remember first absorbing myself in F. Scott Fitzgerald's … Continue reading Adaptations Part 2: The Great Catastrophe of Adapting Gatsby
Momentary Cinema 