‘…a horror flick with over-tones of the Gothic, surreal and a touch of chaotic ludicrousness …’ Aronofsky’s Mother! is on the surface a film about the worst house guests in history, and as such is shot as a horror flick with over-tones of the Gothic, surreal and a touch of chaotic ludicrousness. But this film … Continue reading The Two Reviews: Mother! (2017 Darren Aronofsky)
Blade Runner (1982) didn’t need a sequel. A previous post on this very blog was dedicated to that subject. However, if you absolutely positively have to have a sequel for a film which doesn’t require one, then pray to the movie gods that the sequel is as good as Blade Runner 2049. After all, Alien … Continue reading The Future’s So Bright, I Gotta Wear 3D Glasses – Blade Runner 2049 Review
“…reducing the film and its central narrative to esoteric wankiness…” For many cinema goers, expectations for this greatly anticipated sequel to Blade Runner were high. Then again, I am one of those who never believed it was going to match the original. And it doesn’t. But it is not a complete write-off either. The cinema-photography … Continue reading The Two Reviews: Blade Runner 2049 (2017 Denis Villeneuve)
This is the first in a series of posts on the filmmaking of Alfred Hitchcock (1899-1980), one of the greatest directors of all time. These posts will be authored by Robin Stevens, JJ McDermott and Alan Matthews, and the idea is for each part to take a selection of Hitchcock’s films and analyze them in … Continue reading Exploring Hitchcock Part 1: A Deeper Look at Rebecca, Rear Window and The Birds
And when he had opened the fourth seal, I heard the voice of the fourth beast say, come and see! And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him John 6. 7-8 (New Testament) Recent events in the US have put the … Continue reading Nazism and the impact of World War II as depicted on Film
Maudie (2016) Directed by Aisling Walsh, starring Sally Hawkins and Ethan Hawke Maudie is a small-budget Irish/Canadian film based on the life of Nova Scotia painter Maud Lewis (played by Sally Hawkins), and her long but volatile relationship with the illiterate, ill-at-ease and often belligerent Everett Lewis (Ethan Hawke). The film begins with Maud as … Continue reading The Two Reviews: Maudie and It
There are certain rules known only to a select few by which it is possible to predict the quality of movies. The origin of these rules is often obscure and difficult to explain. One, which has entered common thought, is Rule 21: "The 'Director’s Cut' is always the best version of the movie, except when … Continue reading Rule 21: The ‘Director’s Cut’ is Always the Best Version of the Movie, Except When it isn’t
Below you will find two reviews: one of The Beguiled from 2017, directed by Sofia Coppola, and another of The Beguiled from 1971, directed by Don Siegel. Both are contrasting adaptations of the 1966 novel of the same name by Thomas P. Cullinan (it was originally released under the title ‘A Painted Devil’). The Beguiled (2017, … Continue reading Adaptations Part 3: A Painted Devil Twice Imagined as The Beguiled
‘…a rather lackluster way to end the trilogy…’ This is the third installment of Coogan and Brydon’s sojourn of comic impersonations, while sampling culinary delights and generally driving about. The first was set in Northern England, the second along the coast of Italy and now the third in Spain. This is the least interesting of … Continue reading The Two Reviews: The Trip to Spain (2017 Michael Winterbottom)
A Ghost Story (Directed by David Lowery, starring Rooney Mara and Casey Affleck) This is a slow-paced but absorbing film about grief and loss. It is not a horror story in any sense, but let’s call it a romance / drama – it concerns a ghost occupying his home following his sudden death and watching … Continue reading A Few New Reviews: A Ghost Story, American Made, Atomic Blonde and Logan Lucky
Momentary Cinema 