The film year during Covid began with a gawk-inducing attempt by Wonder Woman Gal Gadot to bring sunshine into people’s lives affected by lockdown by assembling a star-studded line-up to collectively sing John Lennon’s ‘Imagine’, and it ended with Tom Cruise giving a foul-mouthed tirade to a few people who stood too close to each … Continue reading Film in 2020: Best and Worst in a Year of Few
As is often the case, I don’t always get to see the films I was recommended or wanted to see in the year that they were made and/or released. There are just too many to get to, and anyway, I don’t get paid for reviewing films. I do this stuff for my own pleasure and … Continue reading Film in 2020: Firm Favourites among Last Year’s Late Releases
The cinematic form took on a new and exciting shape for Hollywood in the 1970s. This blog has made reference to it many times. Like the French New Wave, New American film-making borrowed from other times and places too. Home-grown directors took the reins, but sometimes their selected crew were internationally renowned and experienced. Together, … Continue reading Cinematography of the World, Part 3: Terrence Malick’s Vision of an American Heaven
The year 2020 in film has been greatly affected by the Covid-19 pandemic. No doubt. ‘Theatrical Release’ has become an increasingly less-used term as the year has gone on. Many of the big ‘uns are still holding out for a 2021 release in the hope that a vaccine will arrive. Bond 25 has taken so … Continue reading Film in 2020: Streaming and the Death of Cinema?
This is a short excursion into the film careers of four extraordinary female actors of early cinema. All four women set new standards in dramatic performance, all came to fame as outstanding beauties of their time, and yet all brushed away vanity to portray diverse roles, impaired personalities and to smash down stereotypes. Lillian Gish … Continue reading Four Icons of Early Cinema – Part 2: Lillian Gish
Many filmmakers have made their name by making stylised documentaries - Micheal Moore, Werner Herzog, Adam Curtis, Amy Berg, Joshua Oppenheimer, Nick Broomfield, Alex Gibney and Errol Morris are all big names that come to mind. Indeed, style derives from the individuals and can often take away from the content of their documentaries. But I … Continue reading The Focus of Film: 8 Documentaries with a Cause
Over time, the Western films of Hollywood expanded outwards. Many were made in Europe by Italian and Spanish directors (Spaghetti Westerns). Some were adaptations of Japanese Samurai films (The Magnificent Seven). Some were set in Mexico and required drugs to understand (El Topo). Even Communist Eastern Europeans were fond of making their own Westerns that … Continue reading The Western Story – Part 2: Beyond the Frontier
Americans like to think Western movies are about their history, and they therefore cherish them greatly. But the Western was in fact an early construct of dramatic motion pictures. Edwin S. Porter directed a short film in 1903 called The Great Train Robbery. This was a milestone in film making because it established action on … Continue reading The Western Story – Part 1: Into the West
Middling films of the year There were three particular movies from three acclaimed and barrier-breaking directors that I believe could have done more than they did this year. Alfonso Cuaron’s Roma was beautiful, affecting and imbued with symbolism, but it lacked the magic of some of his earlier stuff. The Favourite by Yorgos Lanthimos was … Continue reading Review of the Year 2019 in Film
There are still some numpties in the world who presume that the reason why so few women direct films is because they are not that good at it. Doesn’t really justify a response but…holding back the urge to slap these people in the face, one may instead point towards the remarkable filmography of Kelly Reichardt. … Continue reading Kelly Reichardt: A Filmmaker of This Time
Momentary Cinema 