Vampire-themed horror movies can leave many with nightmares that last forever, but what's not to like about vampire horror? The seduction, the lust, the charm, the passion and of course, the violence and horror. The 1980s was crammed full of cult classic vampire movie feasts. The cheesiness, stereotypes and clichéd one-liners of these films make … Continue reading Vampire-fest: 80s Cult Horror at Its Best – The Lost Boys vs Fright Night
I have always been the sort of person that tries to stay away from horror movies as I get scared easily, but there is something about the classic horror movies of the 1970s and 1980s that deliver a level of terror and suspense that makes you want to sneak a peek through your covered eyes … Continue reading Classic Horror Reviews: The Shining vs The Exorcist
The Death of Stalin (2018, eOne films & Gaumont) Directed by Armando Iannucci, featuring Steve Buscemi, Simon Russell Beale, Jason Isaacs, Rupert Friend, Michael Palin, Andrea Riseborough, Dermot Crowley and Jeffrey Tambor The biting political and social satire of Armando Iannucci has struck a chord with many viewers from his breakthrough with The Day Today … Continue reading The Two Reviews: The Death of Stalin and Annihilation
Australiana, noun - items relating to or characteristic of Australia. As the Australian film critic Luke Buckmaster pointed out recently, the madly popular 1980s blockbuster Crocodile Dundee not only gave the world a less than flattering impression of Australians, it was also racist, sexist and homophobic. As fun as it may have seemed when I … Continue reading A Slice of Australiana in Five Films
This is the third and last in a series of posts on the filmmaking of Alfred Hitchcock (1899-1980): one of the greatest directors of all time. These posts are authored by Robin Stevens, JJ McDermott and Alan Matthews, and the idea is for each part to take a selection of Hitchcock’s films and analyze them … Continue reading Exploring Hitchcock Part 3: Don’t read this! – Vertigo and Psycho
‘…a horror flick with over-tones of the Gothic, surreal and a touch of chaotic ludicrousness …’ Aronofsky’s Mother! is on the surface a film about the worst house guests in history, and as such is shot as a horror flick with over-tones of the Gothic, surreal and a touch of chaotic ludicrousness. But this film … Continue reading The Two Reviews: Mother! (2017 Darren Aronofsky)
This is the first in a series of posts on the filmmaking of Alfred Hitchcock (1899-1980), one of the greatest directors of all time. These posts will be authored by Robin Stevens, JJ McDermott and Alan Matthews, and the idea is for each part to take a selection of Hitchcock’s films and analyze them in … Continue reading Exploring Hitchcock Part 1: A Deeper Look at Rebecca, Rear Window and The Birds
And when he had opened the fourth seal, I heard the voice of the fourth beast say, come and see! And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him John 6. 7-8 (New Testament) Recent events in the US have put the … Continue reading Nazism and the impact of World War II as depicted on Film
Maudie (2016) Directed by Aisling Walsh, starring Sally Hawkins and Ethan Hawke Maudie is a small-budget Irish/Canadian film based on the life of Nova Scotia painter Maud Lewis (played by Sally Hawkins), and her long but volatile relationship with the illiterate, ill-at-ease and often belligerent Everett Lewis (Ethan Hawke). The film begins with Maud as … Continue reading The Two Reviews: Maudie and It
Momentary Cinema 