As is often the case, I don’t always get to see the films I was recommended or wanted to see in the year that they were made and/or released. There are just too many to get to, and anyway, I don’t get paid for reviewing films. I do this stuff for my own pleasure and … Continue reading Film in 2020: Firm Favourites among Last Year’s Late Releases
The FurnaceWritten and directed by Roderick MacKayFeaturing Ahmad Malek, David Wenham, Baykali Ganambarr, Trevor Jamieson, Gary Young, Mahesh Jadu and Jay Ryan It is very encouraging that the three most critically acclaimed films to come out of Australia over the past three years have been films that tackle the brutal colonial history of the country: … Continue reading The One Review: The Furnace (2020 Roderick MacKay)
The cinematic form took on a new and exciting shape for Hollywood in the 1970s. This blog has made reference to it many times. Like the French New Wave, New American film-making borrowed from other times and places too. Home-grown directors took the reins, but sometimes their selected crew were internationally renowned and experienced. Together, … Continue reading Cinematography of the World, Part 3: Terrence Malick’s Vision of an American Heaven
The year 2020 in film has been greatly affected by the Covid-19 pandemic. No doubt. ‘Theatrical Release’ has become an increasingly less-used term as the year has gone on. Many of the big ‘uns are still holding out for a 2021 release in the hope that a vaccine will arrive. Bond 25 has taken so … Continue reading Film in 2020: Streaming and the Death of Cinema?
Tenet (2020, Christopher Nolan), despite its many flaws, is a highly polished piece of Hollywood blockbuster machinery that allows us to take a step back and consider what happens when a major cinematic gear isn’t working. Plot The plot of Tenet is a complex intellectual puzzle. If you are really interested in knowing more about … Continue reading Tenet and the Art of the Invisible
There are so many incredible examples of cinematography from around the world. So much so that it can be very difficult to settle on a particular moment or place in cinema history for an appropriate inclusion to this great series that Robin has devised. But I thought it relevant to go back to when cinematography … Continue reading Cinematography of the World, Part 2: Jack Cardiff in 1940s Britain
The Irish Times recently listed out the 50 greatest Irish films ever made. There were controversies of course. Barry Lyndon topping the list confused many, not least because it was directed by an American and based on a novel by a British writer. Sure, the story focuses on an Irishman (albeit an Anglo-Irishman) and much … Continue reading Best Irish Films Ever Made – The Complimentary List
This will be an on-going series of posts on cinematography from around the world. Initially, it was intended to be a single post but there are so many aesthetically interesting and innovatively shot films from around the world that it is just too difficult to do that in one go. Just think of some of … Continue reading Cinematography of the World, Part 1: China Post-1990
This is a short excursion into the film careers of four extraordinary female actors of early cinema. All four women set new standards in dramatic performance, all came to fame as outstanding beauties of their time, and yet all brushed away vanity to portray diverse roles, impaired personalities and to smash down stereotypes. Lillian Gish … Continue reading Four Icons of Early Cinema – Part 2: Lillian Gish
Many filmmakers have made their name by making stylised documentaries - Micheal Moore, Werner Herzog, Adam Curtis, Amy Berg, Joshua Oppenheimer, Nick Broomfield, Alex Gibney and Errol Morris are all big names that come to mind. Indeed, style derives from the individuals and can often take away from the content of their documentaries. But I … Continue reading The Focus of Film: 8 Documentaries with a Cause
Momentary Cinema 